A blog dedicated to Yoko Ono.
By Cara (thecurvature)
See also:
Fuck Yeah John & Yoko
Please Note: All images posted on this blog have been found and collected from the internet and are presented as visual inspiration for those viewing. These images are not presented as my own work, unless I note it under the specific post. Copyright still belongs to the owner / creator of each work. I don’t have any financial benefit from posting them.
If you are a copyright holder who would like an image removed (or if you want to share something for me to post!), email me at doublefantasy AT gmail DOT com.
Photo reblogged from How Do You LIV? with 13 notes
Yoko Ono || V Magazine, The Music Issue
“I was inspired by the fact that the doors in Hiroshima all led to disaster, burnt and disappeared. I wanted to recreate the doors, and this time let them lead to world peace.”
Source: howdoyouliv
Photo reblogged from COSMIC_ CLOCKS with 7 notes
Touch Me II 2008, by Yoko Ono
Polaroid and pins on Canvas.
Source: phoenon
Photo reblogged from COSMIC_ CLOCKS with 7 notes
Touch Me II 2008, by Yoko Ono
Polaroid and pins on Canvas.
Source: phoenon
Photo reblogged from whylike with 17 notes
Jasmine + Yoko Ono
Vadehra Art Gallery | New Dehli, India
Source: whylike
Photo with 22 notes
An installation of doors and figurative transparent sculptures form the nucleus of multi-media artist Yoko Ono’s second solo exhibition at Galerie Lelong, Uncursed.
Yoko Ono says:
When we were children, we learnt at our elementary school how the warrior, Shikanosuke Yamanaka, vowed to endure seven misfortunes and eight sufferings, thereby giving all the negative things to him that would have been given to the people of his city. I was so impressed with his selfless devotion to people, I wanted to be like him when I grew up. Then I realized that so many challenging situations were given to me in life. Much later, I wondered if it would not be better to ask for seven good fortunes and eight treasures….which I promptly did. It changed my life.
In my recent exhibition THE ROAD OF HOPE in Hiroshima, the city of the only country which suffered a nuclear disaster twice in the same century, I offered blessings to the people of Hiroshima and prayed that they would be given seven good fortunes and eight treasures.
Ono now envisions these same blessings for New York as a reminder of our global connectedness and the universality of human experience to “uncurse” ourselves and move on.
Source: imaginepeace.com
Photo reblogged from Deep Water with 5 notes
“Memory Painting; Blood Object Clock” by Yoko Ono for “FLY” at the Centre for Contemporary Art, Warsaw, Poland - 7 by mickeyono2005 on Flickr.
Source: deep-water
Photo with 8 notes
Scanned from YES YOKO ONO by Alexandra Munroe and Jon Hendricks
Various dispensers, This Is Not Here exhibit, 1971. In addition to the Air Dispenser, the Tear Dispenser was also among those present.
Photo with 1 note
Scanned from YES YOKO ONO by Alexandra Munroe and Jon Hendricks
Invitation for Yoko Ono’s 1971 Syracuse exhibition This Is Not here.
Designed with George Maciunas, the invitation was printed on a small square of unfixed photographic paper, corner-folded inward and mailed in a light-safe envelope. The text, which was a photographic image, began to disappear when opened in normal illumination and changed from information about the exhibition to an opaque surface that left only Yoko’s name and the RSVP phone number.
Photo with 7 notes
Yoko Ono at her new exhibit The Road of Hope at the Hiroshima MoCA, August 2011
Source: imaginepeace.com
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